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Selected Curriculum Vitae

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Current Appointment

2022 - School of the Art Institute of Chicago, Chicago, Illinois, USA
Present Professor Emerita

2022 - School of the Art Institute of Chicago, Chicago, Illinois, USA
1985 Full Professor, Sculpture Department + Affiliated in Architecture

Awards + Grants

Massey University International Fine Arts Residency Matairangi Mahi Toi, Wellington, NZ 2019

Chamberlain Award for Social Practice Headlands Center for the Arts, 2018

A Blade of Grass Foundation Fellowship for Socially Engaged Art, Fruit Futures Community Orchard, 2016

Salzburg Global Seminar Fellow Beyond Green: The Arts as a Catalyst for Sustainability, 2016

National Planning Excellence Award for Urban Design, American Planning Association, The 606, 2016

Burnham Award in Excellence, Metropolitan Planning Commission, The 606, 2015

Honorary Doctorate of Humane Letters, Northern Illinois University, DeKalb, IL, 2014

University of Rhode Island Coastal Institute, Distinguished Visiting Artist, Senior Research Fellow, named 2014

US EPA, Phytoremdediation at Big Marsh, Lake Calumet, with Purdue University & Chicago Dept of Environment, 2011

Chicago Department of Environment Development Grant, Innovative Models for Post Industrial Cities, 2010, 2011

Oronsko Contemporary Sculpture Center, Artist in Residence, Oronsko, Poland 2004.

Europees Keramisch Werkcentrum, Artist in Residence, 's-Hertogenbosch, The Netherlands, 2002.

Kunstlerateliers Niederosterreich, International Residency, Krems, Austria, summer 2001.

Illinois Arts Council: Individual Artist Grant, 1985, 1987, 1999

Louis Comfort Tiffany Foundation Individual Artist Fellowship Award, New York, 1991.

National Endowment for the Arts: Individual Artist Grant, 1986

Current Projects

Emerging

Walking the Ocean - with We Are Ocean.org, Santa Fe, NM and Pezene de Mines, France.

2023- ongoing

DeepTime Southwest - participatory research group exploring GA/MA/KA timeframes and cosmologies in Santa Fe regional context. In partnership with Sci/Art Santa Fe

2022- ongoing

Nopalogy- in collaboration with Instituto Tecnológico De Monterrey, México, New Mexico State University, Nopal Growers Association, Milpa Alta, CDMX. Research on Nopales culture and economies.

2018 - ongoing

Casa De Agua, - Santa Fe, Water conservation dwelling and xeric landscape, adaptive reuse of vernacular residence for climate change in collaboration with Jim Elniski + Mark Mortier

2019 - ongong

Pigmenti Loci / Huaota tae - collaboration with Dr. Nick Roskruge, Massey University + Drawing Ecologies, Aotearoa/NZ, plant pigment research from endemic plants.

Public Projects

2014-2019 ongoing

Fruit Futures Initiative Gary (FFIG) – Founder, The Gary Commons Community Land Trust
Urban plantings of fruiting trees and shrubs engage citizen-scientists to reboot soil, study microclimate, and grow resilient fruit cultures Gary Indiana. Working with the Emerson Community, City of Gary Departments of Planning and Environmental Affairs.
• Community Lab Orchard, demonstration orchard and fruit cooperative, funded by A Blade of Grass Foundation established Fall 2017.
• Broadway Climate Corridor, climate visualization planting along bus rapid transit line,
commissioned by the Gary Public Transit Corporation, to be planted Spring 2024.

2014 - 2019

Modest Modernism – An edible landscape dwelling laboratory in post-urb Gary, Indiana. Collaboration with Jim Elniski

2012-2016

The 606 Chicago, IL Lead Artist on Design Team
Adaptive reuse of a 3 mile elevated rail embankment for bike trail with 6 adjacent parks
Public Private partnership: City of Chicago, Chicago Park District and Trust for Public Land

2011-12

The Lima Project: Urban Agriculture and Sustainable Development for the Historic District, LIMA Peru.
Collaboration with Municipality of Lima, Peru, IPES, (NGO), and Centro Internacional de Papa, cultural heritage and urban futures.

2008-12

Embedded Artist Project City of Chicago, Depts of Innovation, Planning, Cultural Affairs & Environment.
Initiated pilot program to use creativity and innovation of artists to assist with urban challenges:

  • Slow Clean-up - Civic Experiments with Phytoremediation for Chicago Department of Environment
  • Regional Food System Plan for Chicago Metropolitan Area Planning Go To 2040 Plan 2008-10
  • Brownfields Re-Envisioning Initiative with Chicago Department of the Environment - assist in alternative analysis methods
    Develop forum for Sustainable Development for Brownfields
2008-10

Waldkunst- Forest Art The Phenologic Forest- Collaboration with EUMETSAT & Deutscher Wetterdienst,weather and climate institutes. Part of The 4th International Forest Art Path "Cycles and Systems", Darmstadt, Germany.

2006-09

HoopHouse Establish a passive solar poly-house at the School of the Art Institute of Chicago to study urban potentials and issues in Agri+Culture. Funded by an NEA Access to Excellence Grant, partnering with The Resource Center.

2009

Site Metabolism West Creek Reserve, Cleveland Metro Parks, Cultural Sustainability Consultant for planning, especially innovative visualizations and interpretive displays integrated with hydrologic site monitoring.

2009

Wesleyan University, Center for the Arts, Middletown, CT, Wesleyan Pheno-lilac, repurpose an existing heritage lilac for climate observation, in conjunction with university-wide programming on climate change

2003-08

The Green House Chicago - Collaboratively design the first multi-modal, fully- integrated, alternative energy home/studio in Chicago with William James, architect/builder.

2005-07

SUPERORG.net Multi-site collaborative public art and design project focused on the development of sustainable models along the historic Towpath Canal. Lead Artist, Cleveland Metroparks, Spaces Gallery, Cuyahoga Valley Initiative, Cleveland, Ohio, producing site masterplan

2006

The Diaspora Garden: Concerning the Transatlantic Exchange of Plants and People, Drayton Hall National Historic Trust, Spoleto Festival USA, Estates Management Company (unbuilt commission)

2004

Lincoln Park Conservatory Great Garden, Mapping the Lake in the Great Garden, Chicago Park District and Notebeart Nature Museum.

2004-06

Spoleto Festival USA, Evoking History Program, Places with a Future “Water Table”, The opening work of the project, a temporary wetlands installation and community conversations with multiple stakeholders and subsequent related works.

2003

Vinnistu Art Museum, Vinnistu, Estonia, Mapping Mohni Island, creating a map and wildflower catalogue for the Island.

2000

National Endowment for the Arts and U.S. Office of Surface Mining, Arts & Appalachian Clean Streams Program, Acid Mine Drainage
Pollution Remediation site, “Ball Diamond Project”, Murray City, Ohio.

1996

Laumeier Sculpture Park, St. Louis, Missouri. “Hortvs Obscurus(the dark garden)"

Writing + Presentations

Whitehead, Frances; Aloi, Giovanni. Phytophiliac: Interview , Antennae: The Journal of Nature in Visual Culture, Issue #60 Earthly Surfacing, Spring 2023, p. 193-211.

Whitehead, Frances; Gonzalez Virgen, Miguel. Interview- Arts Initiative, School of Art, Architecture and Design, Instituto Tecnológico Y De Estudios Superiores De Monterrey, México, 2022.

Whitehead, Frances; Kagan, Sacha. Chicago’s Embedded Artist as Double Agent: Interview2nd Interlude Chapter: In Culture and Sustainable Development in the City: Urban Spaces of Possibilities, Dr. Sacha Kagan, Ed., Rutledge, 2022.

Whitehead, Frances; Twist, Ben. A Conversation with Frances Whitehead, Civic Practice Artist, Cultural Adaptations Conference, Creative Carbon Scotland, March 2021.

Whitehead, Frances; Krainak, Paul. Interview, Bad at Sports Blog Sub-rural #4: 9.18.2021

Whitehead, Frances. After Growth: A Symposium on Post Capitalist Imaginaries, Nottingham Contemporary, UK, Presentation and conversation with co-presenter Thandi Lowenson, March 2022.

Whitehead, Frances. Practices of Placemaking: affect, antagonism, attachment, Routledge Handbook of Placemaking Video discussion probing some of the dominant and tropes narratives of placemaking, With: Dr Cara Courage, Editor, Tom Borrup, Robert Bedoya, respondent, 2021.

Whitehead, Frances. Epistemic Disobedience: Embedded Artist: Epistemic Disobedience + Place, The Routledge Handbook of Placemaking, Dr. Cara Courage Ed, Chapter 22, pg 247-257, Rutledge, 2020.

Whitehead, Frances. Embedded Artist: Tactics for Praxis, Zurich University of the Arts, Switzerland, Symposium on Embedded Practices, ZhDK 2018, published 2019.

Whitehead, Frances. Bodø Biennial Art + Social Responsibility Symposium Keynote Address, What Do Artists Know? The Artist Urbanist, Bodø, Norway, 2018

Whitehead, Frances. Open Engagement, Queens Museum, Presentation on Fruit Futures Initiative Gary, 2018

Whitehead, Frances. Biocultura Arts Center, Santa Fe, New Mexico, forum on art + science with Los Alamos Lab Biohacking , 2017.

Whitehead, Frances. Fruit Futures, Seed Broadcast agri-Cultural Journal, Cultivating diverse Varieties of Resilience, p. 28, Vol #9, 2017.

Whitehead, Frances. OPTing IN: The Civic Experiment – Keynote address, Art and Future: Energy, Climate, Cultures Symposium, Dunedin School of Art, Otago Polytechnic, Dunedin New Zealand, Oct 2016, published in proceedings, Fall 2017.

Whitehead, Frances. The Civic Experiment: Tactics for Praxis, European Cooperation in Science and Technology, COST Action- Investigating Cultural Sustainability, University of Jyväskylä, Finland, 2015, reprinted Forty-Five Magazine, 2017.

Whitehead, Frances. Embedded Artist: Opting In, Embedded Artist: Double Agent, A Blade of Grass Foundation, Growing Dialogue 2016

Whitehead, Frances. Illinois Humanities Council, Pennsylvania Humanities Council, Reviving A City: How Artists & Planners Are Working Together In Chester, Pa And Gary, IN, Stony Island Arts Bank, 2016

Whitehead, Frances. Dunedin City Council Staff, Dunedin, New Zealand, Embedded Artist: Creative Strategies for Cities, 2016

Whitehead, Frances. Future Practice, Ice Fest: Art, Science and Activism in Dialogue Conference, Christ Church City Council, New Zealand, October 2014

Whitehead, Frances. Seeing Climate Change, The City Speaks, National Communication Association Conference, Chicago, 2014

Whitehead, Frances. The New Earth Work, USDA Soil in the City Conference, Chicago, IL, Keynote Address, June 2014

Whitehead, Frances. Civic Experiments Nasher Sculpture Center, Dallas, Texas, Civic Art Practice and Social Justice, 2013

Whitehead, Frances. (Post-Normal) Cultural Heritage, Urban Ecologies Conference, Ontario College of Art and Design University, Toronto, Canada, 2013.

Whitehead, Frances. Post-Normal Art, The Schuylkill Center for Environmental Education, Philadelphia, PA, in conjunction with the Pew Charitable Foundation Grant for Program Development, 2012-2013.

Whitehead, Frances. Ethics + Aesthetics Symposium on Ethics & Sustainability, Center for Humans & Nature, Chicago Botanic Garden, Glencoe, IL 2012

Whitehead, Frances. Slow Cleanup -Association of American Geographers Annual Meeting, The Art and Science of Environmental Change, New York, 2012

Whitehead, Frances. Civic Experiments -American Studies Association Annual Conference, Plenary session, Art and Democracy, Baltimore, MD, Oct 2011

Whitehead, Frances, “The Tacit Knowledge of Artists”, in What Do Artist’s Know?, 2009 Stone Summery Theory Institute Proceedings, James Elkins, ed. University of Pennsylvania Press (2012 )

Whitehead, Frances. 51 Declarations for the Future: A Manifesto for Artists + NOTES on the Manifesto "Opening essay for The New Earthwork: Art, Action, Agency," ISC Press, (Jan 2012). Edited by Twylene Moyer and Glenn Harper. fig. pg 16-20.

Whitehead, Frances, What Do Artists Know?, Princeton University School of Architecture magazine, Pidgin, Vol 12 (Spring 2012)

Whitehead, Frances; Graham, David S.; Schwab, AP. Integrating Aesthetics and Technology in the Remediation of Soils at Abandoned Gas Stations, US EPA Sustainable Remediation 2011 Conference, June 1-3, 2011, University of Massachusetts, Amherst

Print Editions + Graphic Works

2020 Free Museum of Dallas, Invisible Conversations, As We Were Saying James Baldwin in OCR-A The Price of a Ticket
2016 Printworks Gallery, Chicago, Exquisite Corpse
2014 LEF(t) Visual Project Page, published by Critical Practices, Inc.
2014 Make Art with Purpose, Diaspore: The Lima Project, Dallas, TX
2013 SPUD, Diaspora Papa Map, with Deirdre O’Mahoney for ExPO, Clare, Ireland
2003 Anchor Graphics, Chicago, Illinois – The Virus Project (20 lithographs)
1999 Big Cat Press, Chicago, Illinois, (folio of etchings)
1996 Herron School of Art/IUPUI, Indianapolis, IN, (lithograph /sculptural multiple with luna moths)
1993 Segura Publishing, Tempe, AZ, Deadly Nightshade series (suite of 5 lithographs with pressed flowers)
1990 Sette & Segura Publishing, Tempe, AZ, Topology series (suite of 9 lithographs and many monotypes)

Exhibitions

2022

Design Museum Chicago, Tomorrow and Tomorrow and Tomorrow, with Industry of the Ordinary

2022

EcoArtSpace, Site Works at the Poetry Yard, Santa Fe, NM, Patricia Watts, curator.

2022

MdW Art Fair, Ohklahomo Gallery, Mana Contemporary, Chicago

2021

University of Arizona Museum of Art, Picturing 2020, Tucson, AZ

2019

Hyde Park Art Center The Gary Projects, Chicago, IL.

2016

The Burren College of Art, Potato/Batata Exhibition/Performance, Ballyvaugh, Ireland and Gary, Indiana.

2014

Kochi Biennial The Knowledge Project, Kochi, India

2013

SPUD, Diaspora Papa Map, with Deirdre O’Mahoney for EXPO, Clare, Ireland

2012

Printworks Gallery, Face Forward, Chicago, IL.

2012- 2009

LACE (Re-) Cycles of Paradise, Los Angeles, CA, also shown at Science Museum of Morelos, Cuernavaca, MX, 2011; Spanish Cultural Center Spanish Embassy, Mexico City, MX, ( in conjunction with COP16, 2010, COP15 - The United Nations Climate Change Conference Copenhagen, DK, 2009

2012

Frieze Art Fair, London, UK. With Grizedale Arts/Yangjiang Group, Colosseum of the Consumed, with Deirdre O’Mahony,

2011

Upsala University, Upsala Sweden, Challenging (Un)certainties, in conjunction with the Conference on Sustainability

2011

The Happiness Project, Pop-up site in Chicago Loop, curated by Tricia van Eck, Nov, 2011

2011

Museum of Contemporary Art, Chicago, Seeing is a Kind of Thinking

2010

The 5th International Forest Art Path Freedom and Wildness, Hessen Forst, Darmstadt, Germany

2009

Wesleyan University, Feet to the Fire- Art and Climate Change, Middletown, CT.

2008

Chicago Cultural Center, Here There Everywhere, Mapping and Contemporary Art, Chicago, IL

2007-08

Museum of Contemporary Art, Chicago, Mapping the Self (commission)

2007-08

Scottsdale Museum of Contemporary Art AZ, Right to Print: Segura Publishing Company

2005-08

The Smart Museum of Art University of Chicago, Beyond Green: Art for Sustainable Culture-traveling to:
The Museum of Arts and Design, New York, Art Museum Cal State Univ Long Beach, Museum London, London, Ontario, Canada

2005

I-Space, University of Illinois at Chicago Gallery, Urban, Rural, Wild, Chicago, Illinois

2004

Printworks Gallery, Chicago, Illinois, solo exhibition

2004

Oronsko Contemporary Sculpture Center, Oronsko,Poland, River Pilicia

2004

Museum of Contemporary Art, The Center is Anywhere, Chicago, IL

2003

Santa Fe Art Institute, H20, Santa Fe, New Mexico

2003

Tweed Museum, University of Minnesota, Duluth, Contemporary Art and the Mathematical Instinct

2003

Exploratorium, San Francisco, Tele-sculpture 2003.

2003

College of the Atlantic, Watermarks, Mt. Desert Island, Maine.

2002-04

Independent Curators International, UnNaturally, Mary Kay Lombino, curator. Traveling to: Lowe Museum of Art, Miami, Florida, University of Southern California, Fisher Gallery, Los Angeles, Nevada Museum of Art, Los Vegas, Nevada

2001

Brooklyn Museum of Art, Brooklyn, New York, Digital Prints- Print Biennial 2001.

2000

Northern Illinois University Gallery, Arguably Alive-The Virus Taxonomy, Chicago, Illinois, solo installation catalogue

2000

Wave Hill, Glyndor Gallery, Bronx, New York, Abundant Invention

1999,1993, 1991

Lisa Sette Gallery, Scottsdale, Arizona, solo exhibitions

1998

Tough Gallery, antechamber, Chicago, Illinois, solo installation

1998

Moreau Center for the Arts, St. Mary’s College, South Bend Indiana The Nature of Landscape

1996

Museum of Contemporary Art, Chicago, IL, Art in Chicago 1945-1995, catalogue

1996

Tough Gallery, Actea artemesia/ Artemesia absinthium, Chicago, Illinois, solo installation

1996

Northwestern University, Second Sight: Printmaking in Chicago 1935- 1995, Chicago, Illinois,

1996

National Gallery of American Art, Washington, D.C., History of The Monoprint -1880 to the present

1996

Laumeier Sculpture Park & Museum, Trope, St. Louis, Missouri, solo exhibition

1996

Herron School of Art, Trope,Indiana University/Purdue University at Indianapolis, IN, solo exhibition

1996

American Academy of Arts and Letters, New York, New York. Invitational Painting and Sculpture.

1994

City of Baltimore Schoolhouse 33 Art Center, Baltimore MD, From the Garden

1993

The Drawing Center, New York, New York The Return of the Exquisite Corpse.

1993

Cleveland Center for Contemporary Art, Ohio About Nature

1992, 1989

DART Gallery, Chicago Illinois, solo exhibitions

1991

LedisFlam Gallery, New York, New York, solo exhibition

1985

Marianne Deson Gallery, Chicago, Illinois, solo exhibition

Citations

Loughran, Kevin. Parks for Profit: Selling Nature in the City, Columbia University Press, NY, 2022

Newhouse, Victoria. Parks of the 21st Century: Reinvented Landscapes, Reclaimed Territories, Rizzolli, NYC, 2022

Ingram, Mrill. Loving Orphaned Space: The Art and Science of Belonging to Earth, Temple University Press, 2022.

AIPH Green-City Guidelines case study of Environmental Sentinnel, The 606, 2020

Creative Carbon Scotland, Library Of Practice Case Study, Vol. 1, 2018

Fieldworks: Frances Whitehead Fruit Futures, RAVA Films, A Blade of Grass Foundation,

The MAP Radio Hour @ Creative Disturbance, Podcast with curator Janeil Englestad, MIT, Fall 2017

Sustainable Lens Radio, Otago Polytechnic University, Dunedin, New Zealand, Oct 2016

Duxbury, Nancy; Hosagrahar, Jyoti; Pascual, Jordi. Agenda 21 for Culture: Why must culture be at the heart of sustainable urban development? United Cities and Local Governments, Chapter 8 Resilience and Climate Change, page 25, fig. January, 2016.

Bjørnsten, Thomas; Stephensen, Jan L. Renegotiating Data Ecologies Through Trees, Soil, And Pigs’ Lungs, SPHERES: Journal for Digital Cultures, ISSN 2363-8621 #2 Ecologies of Change, 2015

Geoghegan, Bernard Dionysius. Ecologies Of Disclosure: On Aesthetic Compositions Of Technics And Life, SPHERES: Journal for Digital Cultures, ISSN 2363-8621 #2 Ecologies of Change, 2015

Courage, Cara. Arts and the Urban, What do (Social Practice) Artists Do?,May 18, 2015

Kimmelman, Michael. The Difference a Park Makes, New York Times, March 13, 2017, page C1

Abandoned Chicago Railway Reborn, New York Times, Aug 24, 2015 via Associated Press

Dixon, Deborah. Feminist Geopolitics: Material States, Chapter 6: Touch, Routledge, 2016

Moser, Whet. How to Design a Park in the 21st Century (and Beyond), Chicago Magazine, June 5, 2015

Kamin, Blair. Chicago’s New 606 Trail,a boon for open space, Chicago Tribune, May 30, 2015

Thompson, Jonathan. Chicago’s new high line is ‘more than an elevated park, The Guardian, April 25, 2015.

Dixon, Deborah. Space, Place and the Humanities, Geohumanities Journal, AAG, Vol1 Issue 1, 2015

Sisson, Patrick. Elevated 606 Park Will Transform Chicago, Dwell Magazine, Sept 18, 2014

Fisk, Susan. Soil Microbes and Plants Work Together, Soil Horizons, Sept 9, 2014,

H Hawkins, Sallie A. Marston, M Ingram & E Straughan (Feb 2015): The Art of Socioecological Transformation, Asso of American Geographers

Creativity Breaking the Ice, The Press, Christchurch New Zealand, Oct 10, 2014, p.A19

Hart, Joe, Artist as Leader, Whitehead on The 606, Public Art Review, Summer 2014.

BACKSTORY: New Earth Work, Landscape Architecture Magazine June 2014, page 222

Shimizu, Hiroko, Earth Art Catalog, Frances Whitehead USA, Vol 3, March 2014,

Chameides, Bill. Art Makes Environmental Change Real, Huffington Post, 1.24.2014

Schmidt-Wulffen, Stephan. Exodus: Aesthetic Practice beyond the Art Institution, p.3-4, Van der Ber, Karen, and Pasero, Ursula, Ed. Art Production Beyond the Art Market, Sternberg Press, 2013.

Rotenburk, Lori, Artist Lets Trees do the Talking, Grist, December 3, 2013

Rojas, Laurie. An Arty Oasis for the Windy City, The Art Newpaper, London, October 1, 2013

Ohmes, Jeremy. Trail Blazer: Modeling New Pathways for Artists, Events & Disruptions, September 2013

Borrelli, Chris, On the Trail of Art, Chicago Tribune, August 9, 2013

Green, J. Watch Out Highline, Here comes the Bloomingdale Trail, The Dirt, American Society of Landscape Architects, 04/25/2013

Anderson, Aengus. The Conversation: In Search of the New Normal, Radio/web Interview, Episode 25

Ingram, Mrill. Sculpting Solutions: Art-Science Collaborations in Sustainability, VENV: Environment: Science & Policy for Sustainable Development, July/Aug 2012, Vol 54 No. 4, pages 24-35.

Newcombe, Jodi. The Art of the Eco-City Report for the City of Melbourne, International Case Study 3, page 17-18, April 2012,

Vargas, Silvia. Retratan al Medio Ambiente, Diario de Moreles, MX, July , 2012

Ingram, Mrill. The Diplomacy of Art: what ecological artists offer environmental politics, Royal Geographers Conference, London, 2012 Politics of Art and Alchemy at an Abandoned Gas Station, Chicago, Inhabiting the Micro Panel, American Association of Geographers, Feb 2012, NYC

Corris, Michael. What do Artists Know? Contemporary Responses to the Deskilling of Art, ACT Lecture, MIT, Feb 2012

Lori Waxman. Can happiness really be as Simple as Looking at Art?,Chicago Tribune, Nov 23, 2011

Englestad, Janeil. Make Art with Purpose, Interview, Project Page and Opensource, 2011

Ise, Claudine. ART:21 Blog Frances Whitehead, Embedded Artist, feature on recent public works,

Discovery Channel - Plant Green, “The World’s Greenest Homes Series”, The Greenhouse Chicago, 2008.

Reed,Mimi. New York Times, An Art project Tinted Green, feature article on The Greenhouse Chicago Project, 3.13.08

Jacob, Mary Jane. Buddha Mind in Contemporary Art., Univ. California Press, 2004, p.201-204.

Fry, Tony. “A Path to the Future”, Spaces Gallery World Artists Program, Cleveland, OH, 2007

Spoleto Festival USA, “Places with a Future”, Fesitval Catalogue 2004, p. 128 (image)

Smith, Stephanie. “Beyond Green” Independent Curators International, Exhibition Catalogue,2005.

Worlf-Krantz,Caire. “Idea Based Sculpture” feature, SCULPTURE magazine, March 2004, pp 52-57, fig

Jacob, Mary Jane. “Another Beauty:”, Laumeier Sculpture Park, catalogue essay, 2000, fig.

Snodgrass, Susan. Art in America, Chicago Report, April 1999, p.81-87, fig.

Palmer, Laurie. Exhibition review, Frieze, September 1998, p.90-91, fig.

Yood, James. "Frances Whitehead", ARTFORUM Magazine, (December 1989), p.146.

Bonesteel, Michael. "Medium Cool", Art in America, (December 1987), p. 139-147, (fig).

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© 2015-2023 Frances Whitehead | Made by USKLF, Derek S. Moore, Steve Juras and Frances Whitehead | Panel